Tap a ring to shape it
Grid mode: the ring plays exactly the steps you set in the Steps tab.
Hold the red button to record from the mic, or load a file.
MIDI is off, so these settings are kept for later. Turn it on in Setup.
The CC lane in Steps sends this CC; the LFO below moves it continuously.
LFOEverything that changes by itself while playing (Stochastic rings, chance, Evolve, each hit's Random value, Song's Shuffle) draws from the seed. Keep one and Play replays that run.
Mutable Instruments' granular processor on each ring's Beads send (the Beads row above). Size all the way right turns it into a tape delay.
Tap a chord to re-roll just that one.
The arc is also a source in every ring's Mod tab, so it can move anything.
Set a ring to Chord, Arp, Bass or Melody (Sound tab) and it follows this progression. Voices caps how many notes each MIDI channel holds at once.
Tap a pad to mute, hold it to roll. Hold A or B to save a scene, tap to switch on the bar. Hold Flow or Fill; tap Flow to latch it. Random varies every ring that isn't muted; Back steps back through them.
Your saved patterns in order, each for a number of bars. With the song on, Play starts at the top and every change lands on a bar line.
Tap a saved one to load it. Hold one to save over it, rename it or clear it.
Under 60% is comfortable. Near 100% the sound crackles: take out inserts, use one Rings voice, a lower Beads quality or fewer synth rings.
Bluetooth on Android: pair in the MIDI BLE Connect app (on the SEQTRAK, hold ALL and press SWING). USB-C works straight away. Channels and notes per ring are in each ring's MIDI tab.
Put the phone next to the SEQTRAK, both turned up, in a quiet spot. It plays 8 clicks on the phone and 8 notes on the SEQTRAK and listens.
Play ring: the keyboard plays the ring you're on (the one in Notes), and Rec in the Notes view writes what you play into it. Transpose: every ring playing notes follows the last key, C3 is no change. Control changes (CC) always reach the matrix. Follow: Euclid takes its tempo, Start, Stop and song position from an outside MIDI clock (Bitwig, the SEQTRAK); start the transport there.
Draw across the box. Wave 1 is Timbre and Morph at zero, wave 4 both at full; the ones between are blends.